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Gregorian Chant

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... style that is akin to chant, which strengthens the association most people make between the work and religious ritual. sound like the chanting of the monks who preserved the poems in the first place. The fact that this music wraps around whispered, quick moving, near chant that grabs your soul as it suddenly, dynamically swells in volume and intensity. chanting, "a tuneless chant," and a specially clothed officiator walking among the people like a priest. The hushed self-conscious. The pulsating, chanting, and even the vagueness of place and times takes the viewer to the African rites ...



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Sources list for GREGORIAN CHANT:

Apel, Willi "Gregorian Chant" Bloomington: Indiana University Press, 1958
Sacred Vs. Secular Music

Clark, G. R. (1990). Words of the Vietnam war: The slang, jargon, abbreviations, acronyms, nomenclature, nicknames, pseudonyms, slogans, specs, euphemisms, double-talk, chants, and names and places of the era of United States involvement in Vietnam. Jeffe
FOD and DOP

(ChantSylviaGender in Latin America2003)Chant, Sylvia. Gender in Latin America. n.p.: n.p., 2003.
Mexico, Gender and Economic Development

Cantor, Norman F., ed. "The Gregorian Reform and the Debate on the Nature of a Christian Society. The Medieval World : 300-1300. New York: Macmillan 1963. 186-99
The Kievan Empire and Christianity

Greenspan, Ezra. The Cambridge Companion to Walt Whitman, Cambridge University Press, 1995
"Song of Myself": Chant 21

 


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